Graphics for Video & Film
I provide pixel-perfect static and motion graphics for video, film and television — lower-thirds, title cards, end screens, and full storyboard packages that rival national agency work, but on a regional budget.
I work proactively with talent, studios and vendors at every stage to keep production on schedule, from initial storyboard through final delivery.
What's Included:
Motion and static graphics for production work include title cards and lower-thirds, animated logo stings, end screens, storyboards, and full graphics packages for episodic or recurring content — delivered in the resolution, frame rate and file structure your editor or post house actually needs.
The Process:
Graphics are built from your script, shot list, or rough cut, rather than in isolation, so they land in-sync with pacing and tone, instead of feeling "bolted on" afterward. Revisions run alongside your edit timeline, which keeps post-production moving apace, instead of waiting on a separate graphics pass.
Typical Timeline: Most graphics packages run two to four weeks from script or rough cut to final delivery.
FAQ:
What file formats do you deliver?
Whatever your editing platform requires — layered source files, plus rendered assets in the codec, resolution and frame rate your production uses.
Can you turn around graphics on a tight production schedule?
Yes, within reason — tell me the deadline up front, and I'll tell you honestly whether it's doable.